Odds Lane is a uniquely blended mix of driving blues-rock riffs and solid grooves with an overall pop sensibility. They create music that fuses diverse influences from a wide range of styles but maintains the integrity of what has become their own original sound. The band is the musical outlet of the songwriters Doug Byrkit and longtime musical partner Brian Zielie.
Doug and Brian have been friends since 8th grade and their music partnership goes back with their first band while still in high school. They have maintained a close working relationship that has lasted through college and a host of musical projects. In the last 25 years, they have toured both nationally and internationally with various artists.
Fresh out of college Doug Byrkit and Brian Zielie met Mike Zito who was looking for a rhythm section to form his band. They were a perfect match. The trio began playing clubs around the St. Louis area and in no time they were working 7 nights a week. In the late ’90s, they recorded Blue Room which celebrated it’s 20th Anniversary and was recently remastered and released on Ruf Records.
Odds Lane was formed in 2003 and they began recording and playing live to a steadily growing fan base. As part of an effort to promote emerging artists, they were invited to record at legendary Sun Studios, after which they released the first of several projects as independent songwriters in 2004. In 2012 their release Dark Matters garnered Byrkit an ASCAP Plus Songwriting Award.
LOST & FOUND, Odds Lane’s newest release on Gulf Coast Records was inspired by the re-mastered release of Mike Zito’s Blue Room. They have come full circle with a collection of eleven songs that are influenced by their South St. Louis blues rock/funk roots. Lost & Found was recorded at MARZ Studio in Netherland, TX and mixed by Grammy Award-winning producer David Z (Prince, Etta James, Buddy Guy).
There’s nothing traditional about Blues artist Diana Rein. Diana’s parents escaped communist Romania in 1981 when she was 3 years old. They arrived in Chicago, on Halloween with only $50 and a dream for a better life. Diana brought her family's strong Romanian work ethic to performing arts school, where her talents flourished, eventually leading her to a role in the classic American 90’s comedy "Home Alone”. Diana's love of Blues started at 8, when her parents brought her to a Chicago Blues Club, arranging to have her perform some songs with the band. This was a defining moment. A blues artist was born. Over the years, Diana's music heroes and influences emerged: SRV, Prince, and Philip Sayce to name a few. But it all started back in Chicago, the home of amazing Blues legends like Buddy Guy. Diana followed her heart to California, where it would be broken repeatedly and made stronger each time. With experience came strength, self-reliance and plenty of songwriting material. At one point when hope was slipping away, Diana promised to make music her life's work and grabbed the reins on her songwriting and guitar playing. Music never stopped knocking and Diana is glad she finally swung the door wide open and let it in. So are her fans. Today Diana calls Southern California home, where she continues to release original music and play what feels good for anyone who will listen. Her promise to her fans is that she will never stop making music and growing as an artist.
“It may be a bit premature to crown Albert Castiglia America's newest King of the Blues, but there's
little doubt that he at least deserves the title of heir apparent.” -- Miami New Times
As most artists will attest, the most unexpected circumstance can spark artistic inspiration. That’s a fact that hasn’t been lost on singer, songwriter and guitarist extraordinaire Albert Castiglia. With his latest album, the aptly named Masterpiece, he celebrates an unforeseen triumph -- a connection with a daughter he never knew he had. The result is a work that’s both personal and provocative all at the same time.
Castiglia calls this the most meaningful album he’s ever made. “My daughter finding me and opening up my world to an additional family, including two grandchildren, brought out the deepest material I’ve ever created,” he notes, “along with my wife, they were my muses.”Indeed, songs such as “Keep On Swinging”, “Masterpiece” and “Bring on the Rain” address the unexpected emotions that infused his psyche with the discovery of a family he never knew.
“Prior to my daughter finding me, my entire adult life felt incomplete,” Castiglia reflects in the song “Bring On the Rain.” “I never knew why I felt that way. I could never put my finger on it. Then when I discovered my daughter, my heart was suddenly overflowing.”
The title track echoes the same sort of sentiment. "After my daughter and I connected for the first time, I submitted my DNA sample to the lab to confirm that I was indeed her father,” Castiglia recalls. “I knew she was my kid the second I saw her picture, but my daughter wanted closure and by me taking the test, it would put all the speculation to rest. On the day my results came up positive, I wrote a letter to my daughter telling her how happy I was to be her father. At the end of the letter I wrote, ‘I've been an artist for thirty years, but you're my masterpiece!’ I ran with that line and made it the perfect song to express my love. As the lyric says, I loved her before I even knew her.”
Co-produced by longtime friend and colleague Mike Zito, and released on Zito’s own label, Gulf Coast Records, on May 24th, the album also finds Castiglia reflecting on the disappointment and disconnect that’s gripped the nation in the past several years. Several songs, “Heavy” and “Love Will Win the War”, deal with the dilemma that has impacted the those forgotten as the result of this modern malaise. “Heavy” brings those ideas to the fore. “It was inspired by people who live in this country and feel alienated, unappreciated, demonized and shunned by society,” Castiglia reflects. “The homeless, the vets, immigrants, people of color, teachers, the LGBT community...they were on my mind the whole time I wrote this tune.” “Love Will Win the War” goes even deeper into the horrors and violence that have shaken the very pillars of the nation’s faith and fortitude. Castiglia says it was inspired by the mass shootings that were all too prevalent in recent years. “Those horrific events got me thinking, ‘What goes through my daughter's mind when she drops her kids off at school? Does she think the worst or hope for the best? I really have a hard time playing this song without choking up, because I have my grandchildren in mind when I play it. It's sad, but I believe it's also hopeful.”
The tone of the album underscores both its mood and its message, from the forthright stance of “Bring on the Rain,” the frenzy and fury of “Keep On Swinging” and the driving determination of “Catch My Breath,” “Thoughts and Prayers” and “Red Tide Blues,” to the rustic reflection of “Love Will Win the War,” the confidence and contemplation of the title track and the somber and sobering “I Tried To Tell Ya.” By Castiglia’s own admission, the sound is raw and unfiltered, little wonder since he and Zito play all the instruments between them.
“I think blues is a wide open net,” Castiglia once told a reporter. “There are a lot of different ways to do it...I’ve taken a lot of heat for what I do. Some people think I’m too edgy to be considered a blues artist. On the other hand, I don’t think that people like Muddy Waters and Howlin’ Wolf would have wanted me copying them and redoing their stuff. There’s no point in doing that. They would want me to do my own stuff.”
Of course, Castiglia should know. The Miami-raised musician served an apprenticeship while backing legendary blues musician Junior Wells. He later went on to work with singer Sandra Hall. Never content to allow himself to be confined to any particular category, he embarked on a solo career that’s yielded eight critically acclaimed album and consist kudos for his exceptional instrumental prowess, his searing vocals, and live performances that have dazzled audiences from coast to coast. It’s little wonder that Miami’s New Times lauded him as South Florida’s “Best Blues Guitarist” or that USA Today was inspired to remark “It's a revelation to discover the thrilling retro-electric blues from this astonishing young guitarist.” Likewise, BluesAbout.com called Castiglia “one of those mid-tier artists that is just one album away from breaking big and becoming a household word in the blues world.” Or, as M Music & Musicians once noted, “His back-to-basics approach follows in the footsteps of those who fostered the blues in the Mississippi Delta and the smoky late-night haunts of Chicago.”
For now anyway, Castiglia is content to celebrate a new chapter in his life and what has become an added incentive for making music. That philosophy is perhaps best expressed in another song on the new album, a track called "Keep On Swinging." “It’s about advice I would have given my daughter had I been around when she was a kid but which I'm now able to give to grandchildren,” Castiglia says."’Keep on swinging, don't let the haters get you down.’" I always try to remind them that they are special and can accomplish anything their heart desires if they only put their minds to it. They’re the ones that give me hope for the future.”
An old Stella Harmony acoustic guitar and an old record Guitar Boogie inspired the young eleven year old Tony Campanella to start playing guitar. His uncles continued to feed him a steady diet of Albert Collins, Albert and Freddie King, Son Seals, Jimi Hendrix, Rory Gallagher, Jeff Beck, and Stevie Ray Vaughan. Jamming with local musicians whenever he could paid off with his first club gig at age twenty. In the early 90's, Tony performed in the LA West Blues Band with Tommy Bankhead and then later joined The Sliders in the mid to late 90's. He then branched off and started his own power trio The Tony Campanella Band. Best described as a heavy, rockin' blues band, The Tony Campanella Band has been working the St. Louis circuit for a lifetime. For twenty years, Tony Campanella has been a part of the well known Stevie Ray Vaughan Tribute Show in St. Louis, MO. Talent and experience gained Tony the respect of fellow artists. Tony has had the honor of opening for Etta James, Robin Trower, Deep Purple, Bernard Allison, Kenny Wayne Shepherd, Koko Taylor, and Shemekia Copeland. Tony Campanella was the perfect choice to be the first artist signed to the newly launched Gulf Coast Records.
2016 Blues Music Award Winner Billy Price first attracted national attention during his three-year association with guitarist Roy Buchanan. Price is the vocalist on two of Buchanan's LPs, That's What I'm Here For and Live Stock. Since then, with the Keystone Rhythm Band, the Billy Price Band, and solo projects, Billy Price has recorded and released a total of 16 albums, CDs, and DVDs. In April 2016, he was officially recognized and inducted as a Pittsburgh Rock ’n Roll Legend at an award ceremony.
Price’s album This Time for Real, with the late Chicago soul singer Otis Clay, received a 2016 Blues Music Award in the category of Best Soul Blues Album of 2015.
His latest album Reckoning, produced by Kid Andersen at Greaseland Studios has been nominated for a 2019 Blues Music Award in the category of Best Soul Blues Album of 2018.
Guy Hale and Mike Zito, founders of Gulf Coast Records, have both been long-time fans of soul blues singer Billy Price. Needless to say, we jumped at the opportunity to sign Billy to our label and we are excited to add him to our growing roster of artists.
Photo credit: Christopher Myers
The proven ones
It’s one thing to claim you are “proven,” it’s quite another to have the credentials to back it up. Comprised of five of the most formidable musicians on the blues scene today — guitarist Kid Ramos, vocalist Brian Templeton, keyboardist Anthony Geraci, bassist Willie J. Campbell and drummer Jimi Bott — the band has collectively amassed a slew of accomplishments; dozens of awards won, decades of years playing top-notch music, hundreds of recordings, thousands of hours on the road, and millions of fans worldwide. These five musicians have proven their worth to the world over decades of hard work.
The Proven Ones upcoming album, You Ain’t Done, expands the blues-rock template initially established with their debut effort, Wild Again. The latter garnered a 2019 Blues Music Award Nomination from the Blues Foundation for Best Contemporary Blues Recording and also brought Campbell, Geraci, and Bott individual nominations as well.
The upcoming album finds the band expanding their musical limits and making an even bolder statement. Produced, mixed, and engineered by Bott, and coproduced by the equally legendary Mike Zito, it was recorded at Dockside Studio in Maurice, LA (with additional recording at Roseleaf Recording in Portland, OR and Rear Window in Brookline, MA) and features songwriting contributions from each musician in the band.
“We wanted to stretch the boundaries for this record” Templeton explains. “For the most part we are all known as blues musicians, and rightly so, but we love many styles and naturally want to indulge in them as well. I think we’ve accomplished that with this record. There’s rock, soul, country, some Latin influence, a bit of pop, and, dare I say a punk vibe in parts as well. I believe it’s going to break down a few walls.”
That’s evident at the outset, the album starts with a needle drop and a psychedelic preamble to the rockin’ and robust song “Get Love.” The assertive stomp of “Gone to Stay,” “Already Gone,” and “You Ain’t Done” follow suit, with the latter recalling the rock steady groove of bands like Free and Bad Company. There are other, subtler, touches gracing the album as well: the heart-warming “Whom My Soul Loves,” which features a searing lead vocal from special guest Ruthie Foster, and the emphatic yet embracing ballad “Milinda.”
Still, the most touching tune on the album, and the one that resonates in particular with its songwriter, Jimi Bott, is “She’ll Never Know.” Based on a poem written by his sister to her infant daughter, it reflects a very personal perspective.
“When my sister died from substance abuse and mental illness in 2008, she and my niece had not spoken in years; they were estranged, and their rocky relationship was never resolved. The chorus I wrote was my hope of what my sister may have been feeling as she watched from the sidelines while her daughter grew up and became extremely successful. The song captures the melancholy that she was never able to share in or be a part of her daughter’s life. It is, for me, about a mother's love and regret but it can be about so many things to any parent who has been separated from their child for whatever reason.”
Members of TPO hail from bands such as The Fabulous Thunderbirds, The Radio Kings, The Mannish Boys, and Sugar Ray and the Bluetones. The Proven Ones can claim credits on literally hundreds of recordings. They have shared the spotlight with innumerable world class musicians at major music venues across the globe. Together, they make for a potent force all their own. Vivascene declared, “The familiarity between these musicians breeds a feeling of comfortability and a palpable camaraderie… that enhances each and every note they play.” Individually, their respective resumes place them in the upper echelon of contemporary blues players.
Kid Ramos is a recipient of The Orange County (CA) Music Awards Lifetime Achievement Award in addition to 14 Blues Music Award nominations. He produced legendary pianist Floyd Dixon’s final recording as well as the accompanying documentary and has also appeared on numerous movie soundtracks.
Brian Templeton commands over 40 years as a stalwart presence as part of Boston’s formidable music scene. His credits include the legendary band the Radio Kings and the Original House of Blues Blue Monday Band, as well as collaborations with such notables as Jerry Portnoy, Sonny Rhodes, James Cotton, and Otis Grand.
Anthony Geraci is an original member of Sugar Ray and the Bluetones and Ronnie Earl and the Broadcasters and has appeared on over 40 recordings. He received a Grammy Nomination for his album Super Harps. He also boasts numerous Blues Music Award nominations, including the Pinetop Perkins Piano Award five years in a row and an unprecedented 6 personal Blues Music Award Nominations in 2019. He was inducted into the Rhode Island Music Hall of Fame in 2016 with Sugar Ray and the Bluetones.
Willie J. Campbell has performed with an all-star list of bands and individuals, among them The Fabulous Thunderbirds and The Mannish Boys and has recorded with such luminaries as Sugaray Rayford, Smokin’ Joe Kubek, and Cheech and Chong. He has been nominated by the Blues Foundation for Best Instrumentalist 6 times.
Jimi Bott is widely known as one of the world’s best drummers. He has been nominated by the Blues Foundation for Best Instrumentalist an amazing 20 times - finally winning the Blues Music Award in 2015. He was also inducted into the Cascade Blues Association Hall of Fame in 2009 after winning the award for 12 consecutive years. The award is now named after him. He has been on over 100 recordings, lives in Portland, OR where he owns and operates Roseleaf Recording Studio.
Jimmy Carpenter, saxophonist, singer-songwriter, and arranger, began his musical journey over 35 years ago. In the '80s, he toured the east coast with the renegade blues band, The Alka-Phonics, in the ’90s with the blues-rock band The Believers, with whom he learned about the music business. Over the years, Jimmy has toured internationally with Tinsley Ellis, Jimmy Thackery, Walter Wolfman Washington, Eric Lindell, and others. In 2012 Jimmy joined Mike Zito, his long-time friend and musical cohort, and recorded and toured as a member of Mike Zito and the Wheel. In addition to touring nationally & internationally, Jimmy has written, arranged and recorded the horns for many artists, and has gained a reputation as a master Blues, Rock-n-Roll and R&B saxophonist. Jimmy has also released three solo albums: Toiling in Obscurity, (2008); Walk Away (Vizztone 2014), and Jimmy Carpenter Plays the Blues (Vizztone 2017). After many years in New Orleans, he currently lives in Las Vegas with his partner in crime and musical inspiration, Ms. Carrie Stowers. In addition to leading his own band and playing with numerous others, he is the Musical Director for the Big Blues Bender, and leader of the Bender Brass, The Bender’s house band. He is the current president of the Las Vegas Blues Society, and in 2019 was nominated for a Blues Music Award, his 4th for Best Instrumentalist/Horn.
Sayer & Joyce
Award winning Charlotte Joyce has been a professional singer for all her working life and is vocal coach and choir leader to many other professional singers. She has won awards for her songwriting & was inaugural winner of the Acoustic Guitarist Of The Year in Guitarist Magazine. Charlotte was also runner up in the keyboard category in the 2014 British Blues Awards. Holding professional qualifications, not to mention an unmistakable talent for both singing and keyboard, Charlotte had been Ron’s ‘right hand man’ for years in the Ron Sayer Band. She provided backing vocals on Better Side (2011) in addition to dueting with Ron on ‘My Mother In Law’ from the album. Charlotte also co-wrote the British Blues Award nominated album Hard To Please, taking vocal duties on half the album. She has worked with/supported the likes of Paul Jones, Dr. Feelgood, Clem Curtis, Jo Harman & Joanne Shaw Taylor.
Ron Sayer Jr.
Ron Sayer Jr. is the consummate ‘Guitarist’s guitarist’. As a trained music teacher having influenced the learning curves of the likes of Oli Brown, Sol Philcox, The Sharps & Mark Howes of Dove & Boweevil he’s now a mainstay on the UK blues circuit. He was nominated for no less than four awards in the British Blues Awards in 2013 in the album ‘Better Side’, band, song ‘Don’t Make Me Stay’ and guitarist categories walking away with runner-up in band of the year, he also co-wrote Oli Brown’s third album ‘Here I Am’ and won another British Blues Award for co-writing the title track. He was voted Guitarist Of The Year by Guitarist Magazine, was voted 4th Best Bassist in Blues Matters Magazine and has a degree in classical music to boot. He has worked with/supported Buddy Guy, John Mayall, Matt Schofield, Nine Below Zero, Ten Years After, Robin Trower among others.